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Quelle: Passion of the Weiss.ZOMBY schrieb:I like whatever it is that’s real, but I’m talking about like white middle class kids from the suburbs with t-shirts that say “Real Trap Shit.” They don’t know anything about pyrex. Where that shit really goes on, those kids really don’t want to be. So you’re best to have respect for that. That is a particularly proud genre. It’s not just ****ing hi-hats and snare rolls.
Half the tracks sound like R&B to these trap kids, because all they want is booming kicks and snare rolls. Cool, that’s fine, but that’s not what it is. Trap shit or whatever has really come off like Trap-A-Holics, because the sound is actually a Memphis rap sound. It’s fully normal, but it’s become like a certain buzzword or whatever. It’s become another buzzword to sell certain tunes, but it is disrespectful if you come from those areas and you’ve got kids chattin’ that shit.
If soft kids come in to grime raves shouting that stuff, you get parted, but maybe this place is big enough to get away with it. You can have a trap rave in ****in Bushwick or something. Maybe those kids are real. I don’t know. I’m not gonna go out and test them, but it’s a world away from what Lex and them are doing, I can tell you that. There has so be a slight responsibility for the artist to understand who originated it.
Der Name ist übrigens leicht amüsant, weil "trap" [...]
Im Prinzip ja, Frank. Ich fasse mal zusammen:
- die doofsten 808-Beats die Hiphop und Rap zu bieten haben
- die nervigsten Vocal-Schnipsel endlos wiederholt
- die ekligsten Bässe von Dubstep
- die käsigsten Leads von Trance und Hardstyle
das alles zusammen ergibt Trap.