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Katalonien, 1874. Vier lange Jahre hat Josep sich vor den Männern versteckt, die Spaniens Ministerpräsidenten ermordet haben - denn er ist der einzige noch lebende Zeuge. Nun hofft er, dass Gras über die Sache gewachsen ist - und er sich seinen Lebenstraum erfüllen kann. Auf dem Gut seiner Väter möchte er Wein kultivieren. Doch die Geldforderungen seines Bruders für den Erbhof sind horrend. Tapfer nimmt Josep den Kampf ums Überleben auf, bis ihn die Vergangenheit einholt ... Eine mitreißende Mischung aus Historienepos, Spannungsroman, Familiengeschichte und Liebesdrama.
EAN: 206004093776
Editorial Reviews
From Publishers Weekly
At the start of this weak sequel to 2006's At Risk from bestseller Cornwell, Monique Lamont, a politically ambitious D.A., uses a speech at the John F. Kennedy School of Government in Cambridge, Mass., to launch an implausible anticrime initiative she's labeled No Neighbor Left Behind ("The decline of neighborhoods is potentially as destructive as global warming"). Lamont orders her main investigator, Win Garano, to reopen the case of a blind English woman, Janie Brolin, murdered in Watertown in 1962. Lamont suspects Brolin may have been the first victim of the notorious Boston Strangler. For reasons that Lamont fails to coherently articulate, solving this crime will galvanize the public into caring about crime in general. Not incidentally, it will also bolster her chances of ascending to greater power. Lamont's irresponsible approach to her job may strike some readers as bizarre, while Garano's ambivalence about his boss adds little to his appeal. The unsophisticated depiction of power politics (e.g., Lamont suggests to the governor of Massachusetts that solving Brolin's murder will make him Time magazine's man of the year) is not what the legions of Kay Scarpetta fans have come to expect.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Product Description
The audacious new adventure of the At Risk team from America’s #1 bestselling crime writer.
When Patricia Cornwell introduced the quicksilver, cut-to-the-bone style and extraordinary cast of characters of At Risk, the result was electrifying: “At Risk is Cornwell’s finest novel. It works in every way possible— fascinating characters, solid plot, great pacing and expertly crafted prose” (St. Louis Post-Dispatch); “Absolutely the best. Here’s hoping we’ll see more of Win, Monique, Nana and Sykes in the coming years. They are the best characters to emerge from Cornwell’s creative pen since . . . well, Kay Scarpetta” (The Denver Post).
At Risk featured Massachusetts state investigator Win Garano, a shrewd man of mixed-race background and a notinconsiderable chip on his shoulder; District Attorney Monique Lamont, a hard-charging woman with powerful ambitions and a troubling willingness to cut corners; and Garano’s grandmother, who has certain unpredictable talents that you ignore at your peril.
And in The Front, peril is what comes to them all. D.A. Lamont has a special job for Garano. As part of a new public relations campaign about the dangers of declining neighborhoods, she’s sending him to Watertown to “come up with a drama,” and she thinks she knows just the case that will serve. Garano is very skeptical, because he knows that Watertown is also the home base for a loose association of municipal police departments called the FRONT, set up in order that they don’t have to be so dependent on the state—much to Lamont’s anger. He senses a much deeper agenda here—but he has no idea just how deep it goes. In the days that follow, he’ll find that Lamont’s task, and the places it leads him, will resemble a house of mirrors—everywhere he turns, he’s not quite sure if what he’s seeing is true.
“Falsehoods rule,” warns his grandmother. And they can also kill.
This is the master writing at the absolute top of her game. You will never guess what lies behind The Front.
Ein Buch was mich nachhaltig beeindruckt hat, ist
"Todesmarsch" von Richard Bachmann (King)
4 meilen pro stunde...
4 meilen pro stunde...
wie ist das gemeint ?
achso
bei den todesmärschen aber nicht wirklich erreicht, oder ?
From Publishers Weekly
At the start of this disappointing stand-alone thriller from bestseller Gerritsen (The Mephisto Club), 38-year-old divorcée Julia Hamill discovers a skeleton buried in the garden of the Boston house she's just moved into; the ring found with the remains was in fashion in the 1830s, the fractured bones suggest murder. Flashback to 1830: medical student Norris Marshall, an outcast among his wealthier classmates, meets Rose Connolly in a Boston maternity ward, where Rose's sister recently died of childbirth fever. When several gutted bodies turn up in deserted alleyways, Rose and Norris are the only ones to catch a glimpse of the killer, dubbed the West End Reaper. Norris, Rose and Norris's fellow student, Oliver Wendell Holmes, race to uncover the truth behind the slayings, which will remind many of Jack the Ripper's crimes. In the present, Julia is able to trace their progress with the help of a relative of the house's former owner. Unfortunately, neither the present nor the historical story line maintains the suspense necessary for a whodunit spanning several generations. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Medical examiner Maura Isles returns in another thriller that joins past and present. In the present, in the backyard of Julia Hamill's old Boston house, a long-buried body is unearthed. In 1830, long before the invention of the term serial killer, medical student Norris Marshall is accused of being a mass murderer. To dig himself out from under suspicion, Norris seeks help from a fellow student, one Oliver Wendell Holmes. Together they pursue the cold-hearted killer, while, in the present day, Julia Hamill tries to find out the identity of the body buried in her backyard. As her fans well know, this is not Gerritsen's first shot at combining the modern and the historical. Yet it reads as though it might be: it's clunky, with overly familiar plotting and an attempt at 1830s-era dialogue that's often painful to the ear. Incorporating real people into historical fiction is a well-worn device, and while the author succeeds in bringing Holmes vividly to life, she doesn't really do anything particularly special with him—a fictional character would have served the story just as well. This is a passable thriller—Gerritsen does generate a fair amount of suspense—but it fails to come together on any level beyond plot. Recommendable, finally, only because the author's many fans will want to read it. Pitt, David